top of page

Happy Halloween! (2020)

On this Halloween I applied some of my Creature FX skills to create Draculanda: 

draculanda_03.png
draculanda_01.png
draculanda_02.JPG

Also had some fun sculpting some pumpkins with my family: 

123196129_3778337702185981_6086635788823
123187009_3778337615519323_5790576961476

Clay Sculpting (2019)

clay_01.png

I had the opportunity the take some clay sculpting classes at Framestore this last  summer. 

It was super fun and challenging, a great exercise to study anatomy, proportions and to train my eyes.

The instructor was super helpful and I was able to learn even further.

clay02.png

VES Awards 2019 (2019)

51334893_2367929503226815_26122246301228

Our Reindeer from Mc Donald's Christmas Advertising was nominated for the VES Awards for Outstand Character! 

On February, Framestore sent me and other nominated members to LA to attend the VES Awards Ceremony, that happened on Beverly Hilton Hotel. 

It was an amazing experience and I got the chance to see up close the best VFX artists of the world, alongside with some celebrities as well. Although our commercial didn't win the award, I was very proud to be there and that our work reached this level of recognition.

And I also got the chance to do a city tour and see Universal Studios and Paramount Pictures.

51532675_2367929469893485_58739101156853
52846870_2396472987039133_22269611717039
52819955_2396473617039070_32004226389880

Animal Love (dec 2018)

Whoever knows me in person, realises very soon that I'm magnet for animals of all species. I grew up on a farm among horses, chickens, pigs, dogs and many other animals, and I always loved to be among them. Nowadays I have my own dog called Panda, which is always with me wherever I go. I also take care of dogs in the neighbourhood, so there's always a different  pet at home. 

I visited many different zoos and sanctuaries (only the ones that treat the animals nice!) and got in contact with species from all around the world. They are my inspiration for my work and I admire the beauty of each single one.

69465648_2713452315341197_10253913499243
1455961_699492820070500_1364046200_n.jpg
37258181_2069068176446284_64540388301891
37192246_2069138056439296_38378258891402
18121261_1595250517161388_17828674764242
1274974_658345994185183_118672915_o.jpg
1040850_625460984140351_128235695_o.jpg
1040781_625449430808173_1732871297_o.jpg
902129_588218711197912_371325815_o.jpg
1291130_663680376985078_1015467044_o.jpg
894878_588214691198314_1267969463_o.jpg
28424173_1910836502269453_59983187521723
882670_588230404530076_1392825534_o.jpg

3D Artist Magazine (2017)

I had the pleasure to be part of two editions of the magazine 3D Artist. One was an interview about the work I did with feather on the bluebird and the other was among their selection of the best 100 artists they choose.

14882304_1403509183002190_83732393583830
28.png

Many years ago, when I was still at the University, most of my life were writing down C++ codes every day. But whenever I got some free time, I would dedicate to learn art, 3D and traditional animation. At this time I built my first short movies. The protagonists and inspiration were my childhood dogs: Spot and Nita.

It was a long road to learn everything from scratch, from concepting, storyboard, modelling, rigging animation, rendering and compositing. Back at that time In Brazil there wasn't really much courses about it or as many online tutorials we have now. So every technical barrier was a challenge that I had to figure out mostly by myself. I had to recreate from scratch all characters and environment many times because as I learned more, I realized how the approach I used was not good enough.

It was a project that made me proud and has a special place in my heart forever.

bottom of page